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Elevate

by Webb

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $7 USD  or more

     

  • Record/Vinyl + Digital Album

    Regular Edition of 300 with disco sleeve and sticker.

    Includes unlimited streaming of Elevate via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days
    Purchasable with gift card

      $16 USD or more 

     

  • Limited Edition 12"
    Record/Vinyl + Digital Album

    Limited edition of 200 with risograph artwork and hand-stamped covers.

    Includes unlimited streaming of Elevate via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Sold Out

1.
Elevate 07:20
2.
3.
Who Am I? 06:12
4.

about

David Webb’s hypnotic and raw Elevate 12” from 1994 reveals an overlooked region in Detroit’s seemingly-endless musical landscape, linking the narcotic minimalism of Theo Parrish’s Ugly Edits with the uninhibited, spontaneous, and jazzy jamming found on J Dilla beat-tapes.

Raised in the musically fertile and adventurous atmosphere of Detroit, Webb got his start as a mobile DJ while in high school during the late 70’s. Captivated by the local boom of soul, funk and disco, he’d frequent the social clubs, soaking up sounds. His earliest experiments in mixing led him to form a DJ crew with his pal Paul Johnson. Paul enlisted a friend, Jeff Mills, pre-Underground Resistance, to join the trio and they called themselves Frequency Sounds. The three would play underground parties and college events for Michigan State students. Throughout the 80’s, Webb and his friends would play at the local clubs around town, like 431 East (now called Saint Andrews), where he played alongside Ken Collier and other Detroit legends. Each week he found new sounds at his local record shop Buy Rite Records on West 7 Mile, where he’d dig for Italo, New Wave, Disco and House, buying 12”s from labels like Prelude, Trax and Beggars’ Banquet on sight.

Webb’s earliest experiments with producing his own sounds started when he bought an Echoplex and ASR-X Drum Machine. During his sets he’d add live effects & rhythm to his favourite songs. This led to building a mini home studio where initially he would record all his songs overdubbing on two tape decks. Two of his earliest experiments, Elevate and Who Am I? Were self-released as a small- run promo 12” that he would hand out to his friends and local DJs. Webb quickly sold out and gave away the pressing, and he would often hear it played by DJs around town, but over time it drifted in the margins, as an obscure footnote in the history of Detroit Techno. Mixed Signals is proud to bring this important record back into circulation, seducing a whole new generation of DJs and dancers with Webb’s dark and silky pleasures.

credits

released September 10, 2020

Tracks produced and arranged by WEBB in 1994
Mastered by Brandon Hocura
Design by Alan Briand
Manufactured and Distributed by Séance Centre
(p) & (c) Mixed Signals 2020

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Webb Detroit, Michigan

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